Issues
Issue Seven, November 2022
Issue seven is here! We've got:
Fiction by Danai Christopoulou, Moustapha Mbacké Diop, Erin K. Wagner, Warren Benedetto, David Farrow, Andi C. Buchanan, Rhiannon Rasmussen, Frances Koziar, and Austin Shirey!
Poetry by Jennifer Crow, Overcomer Ibiteye, Beth Cato, J.D. Harlock, Sarah Cannavo, Ashley Gilland, Lin Darrow, Gary Bloom, and Tiffany Morris!
The first half of the issue is available to read for free on the website right this very second, and the second half will become available on 12/5!
If you'd like to check the whole thing out immediately, please consider grabbing a copy at our ko-fi shop to support us or subscribing through our patreon, and don't forget to keep an eye out for our upcoming Kickstarter too!
Issue Six, September 2022
Issue Six is here! We've got fiction by Anya Ow, Anna Madden, Roderick Leeuwenhart, Corey Farrenkopf, and Liam Hogan, plus poetry by Vanessa Jae, the_people, RC deWinter, Devin Miller, and Annika Barranti Klein.
Because this is our very first WET ISSUE, we're releasing all of the content for free, so you can start reading it right this very moment! So, strap in for selkies and sea monsters, the end of the world and the very beginning, cannibalism and so much more!
If you like the issue, please consider grabbing a copy at our ko-fi shop to support us or subscribing through our patreon, and don't forget to keep an eye out for our upcoming Kickstarter too!
Issue Five, July 2022
Issue Five is here! Join us at the world's spookiest traveling exhibit in "You Hope, Through Shivers and Sweat" by Elou Carroll or sit in on a book club with a very selective membership in "The Book Club at the End of the World" by Elizabeth Zuckerman. You might also consider how music connects us and what we owe to each other in P.A. Cornell's "Vinyl Wisdom," settle in for a tale of the four gentrifiers of the apocalypse in D.K. Lawhorn's "We, Downtown," or tinker in Brandon Crilly's "Constructed" with the relics of a fallen past, with hope in your heart those days will come again.
For poetry, feel the heat on your back in "Beneath the Flames" by Oyeleye Mahmoodah Temitope or sing out to those still trapped in the tower in Vanessa Fogg's "Blood, Roses, Song." We've also got a new piece full of ritual and decay in the form of "We Greet the Solstice" by Avra Margariti, a meditation on the hellfires at the end of the world in "Introspection" by Alexander Etheridge, and an interrogation of space exloration in "The Artemis Accords*" by Lynne Sargent.
Issue Four, May 2022
This issue came together around concerns of the personal and the domestic, from the found family and magic of the truth in "The Calligrapher's Granddaughter" by Stewart C Baker to the physical toll of grief and loss in pieces like Elise Stephens's "Focal Point" and Jelena Dunato's "Heart of My Heart, Soul of My Soul." For something more capital-W Weird/body horror-y, we also have "Axolotol" by Atreyee Gupta, about body doubles and never feeling like you're enough, and Rebecca Angelo's "Resistant," in which Clark has a very bad day at the hands of the mind-source.
Issue Three, March 2022
Issue Three is now available! This is our very first DRY ISSUE, bringing you all the latest and greatest fiction and poetry dealing with the hotter aspects of the climate crisis. In stories like "Sworn Guardian" by Kimberly Christensen and "Hope: A Perspective from the Forest" by Tadayoshi Kohno, you'll find the ravages of fire burning through the forests and all the ways the creatures of this world, human and otherwise, fight back.
You might also pull up a chair at the Cambridge University archives on the hottest day in July in Meghan Kemp-Gee's "The End of the World," or consider exploring what happens when the water at last runs out and all we have left is our thirst in stories like "For the Remnants" by Belicia Rhea and "Chrysanthemum" by Erin Keating.
For poetry, you can dive into a world of mosquitos and fever dreams in "sestina for the summer solstice" by Claire McNerney, watch as the nymphs hightail it as the world around them withers and burns in "The Nymphs Are Migrating" by Madalena Daleziou, or stare into the void the Earth's become, "an embarrassing mess that no // one // wants to clean // up" in Marisca Pichette's "And it dries and dries."